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SHRAVAN REGRET IYER

JOURNALIST | RESEARCHER | IMMERSIVE AR, VR, 360° STORYTELLER

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SHRAVAN REGRET IYER

Man-Elephant conflict on film

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Author Shravan Regret IyerPosted on February 27, 2018March 8, 2018Categories Press

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Research – Media Studies

Life in the Jungles of Madagascar – Film

https://www.youtube.com/watch?v=7rn8huFSw6w

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In Cambodia’s Khmer culture Lotus symbolizes purity. The ancient temple complex of Angkor Wat, built in the 12th century, takes the form of a lotus blossom surrounded by geometrically perfect moats, while the temple dome takes the shape of the lotus buds. The traditional Khmer’s Apsara dance choreography also uses gestures, moves, and formation to depict the shape of a lotus blossom.
In Cambodia’s Khmer culture Lotus symbolizes purity. The ancient temple complex of Angkor Wat, built in the 12th century, takes the form of a lotus blossom surrounded by geometrically perfect moats, while the temple dome takes the shape of the lotus buds. The traditional Khmer’s Apsara dance choreography also uses gestures, moves, and formation to depict the shape of a lotus blossom.
In Cambodia’s Khmer culture, it is believed that the dancing female deities known as ‘apsaras‘ (in Sanskrit, meaning the female spirit of the clouds and waters in Hindu and Buddhist culture) were the first beings to emerge from the sea of creation. Women dancers in traditional dress perform ‘apsara dance‘ where gestures are codified to narrate classical stories. The stone bas-reliefs in the Angkorian temples in Cambodia represent Apsaras performing the ancient dance form.
In Cambodia’s Khmer culture, it is believed that the dancing female deities known as ‘apsaras‘ (in Sanskrit, meaning the female spirit of the clouds and waters in Hindu and Buddhist culture) were the first beings to emerge from the sea of creation. Women dancers in traditional dress perform ‘apsara dance‘ where gestures are codified to narrate classical stories. The stone bas-reliefs in the Angkorian temples in Cambodia represent Apsaras performing the ancient dance form.
In Cambodia’s Khmer culture, it is believed that the dancing female deities known as ‘apsaras‘ (in Sanskrit, meaning the female spirit of the clouds and waters in Hindu and Buddhist culture) were the first beings to emerge from the sea of creation. Women dancers in traditional dress perform ‘apsara dance‘ where gestures are codified to narrate classical stories. The stone bas-reliefs in the Angkorian temples in Cambodia represent Apsaras performing the ancient dance form.
In Cambodia’s Khmer culture, it is believed that the dancing female deities known as ‘apsaras‘ (in Sanskrit, meaning the female spirit of the clouds and waters in Hindu and Buddhist culture) were the first beings to emerge from the sea of creation. Women dancers in traditional dress perform ‘apsara dance‘ where gestures are codified to narrate classical stories. The stone bas-reliefs in the Angkorian temples in Cambodia represent Apsaras performing the ancient dance form.

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Iruligas the people of the night – a short documentary

https://www.youtube.com/watch?v=7n0FwWCm8a4

Watch: ‘The vanishing wings of Kokkarebellur’: Nearly 30 years ago, the village of Kokkarebellur in Mandya district of Karnataka was home to more than 2000 pelicans and the numbers have now dwindled to a mere 400 birds. 

The lost ‘daughters’ of our famed Kokkarebellur
A short documentary film on the world’s largest tree canopy that spreads across eight acres of land with a whopping 4, 358 supporting roots.

Travel Stories: Emerging Explorer

ARUNACHALA, TIRUVANNAMALAI

ARUNACHALA, TIRUVANNAMALAI

Elephant Business

Elephant Business

BANDAJE ARBI

BANDAJE ARBI

KUDREMUKH NATIONAL PARK

KUDREMUKH NATIONAL PARK

WORLD’S BIGGEST BANYAN

WORLD’S BIGGEST BANYAN

Watch: ‘Iruligas, the people of the night’ a documentary on Iruliga tribes of Ramanagara in Karnataka, India whose food habits consists chiefly of rats, a fact that sets them apart from other tribes. 

The Rat-Eaters of Ramanagara
Frogs' Love Calls Go Unanswered due to noise pollution
‘Ganjam, The Treasure Isle’ is a stop-motion documentary made using 4, 500 photographs on Ganjam suburb of historical town Srirangapatna near Mysore.
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